Crystal Whisky set- Timeless

139,00

Crystal whisky set- timeless, completely hand painted

Dimensions 9 cm

Set contains 6 glasses

Take a look similar nice things: https://antony-store.com/product/crystal-vase-lisboa-8/ 

 

BRIEF HISTORY OF BOHEMIA JIHLAVA

In 1845, Karl Anton established a glass factory in Antonínův Důl, near Jihlava in the Bohemian-Moravian Highlands. This marked the beginning of Bohemia Jihlava’s journey in artisanal glassmaking. Anton used the region’s natural resources and local glassmaking techniques to create a successful glass production empire. The rich cultural traditions of the Bohemian-Moravian Highlands played a vital role in shaping Bohemia Jihlava’s legacy in traditional glassmaking.

The land of Bohemia already gained great fame during the Renaissance for its beautiful and colorful glass. The discovery of new materials and techniques by Bohemian glass-workers was to ahead, their clear glass win even Italian glass in quality. The term „Bohemian crystal“ was coined in the 16th century to contrast it from glass made elsewhere. Czech crystal gained global recognition for its meticulous craftsmanship and traditional techniques. Bohemia Jihlava prioritizes heritage, quality, and craftsmanship in upholding its reputation in the crystal market over our whole time of existence.

Bohemia Jihlava stands out in the design world by blending tradition and timelessness, example is this beautiful crystal whisky set- timeless. Our design celebrates raw beauty and creating products that embody enduring values and rich Czech heritage. This devotion to precise design is not just a milestone in the company’s history, but a guiding example that continues to shape our future.

https://www.bohemiajihlava.com/

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Description

Crystal whisky set- timeless, completely hand painted

Dimensions 9 cm

Set contains 6 glasses

Take a look similar nice things: https://antony-store.com/product/crystal-whisky-set-cascade/

GLASS COLOURING HISTORY THEN AND NOW

Around 3500 BC, the first real glass was produced in Mesopotamia and ancient Egypt. Some of the first coloured glass objects were beads and small jars. These early glassmakers discovered that adding different substances to the melt would change the resulting colour. Once methods of making coloured glass were discovered, an explosion of experimentation began. The aim was to find substances that would produce specific colours in the glass.

In the eighth century, the Persian chemist Abu Musa Jabir ibn Hayyan, often known simply as ‘Geber’, recorded dozens of recipes for making glass of specific colours. Geber is often referred to as the “father of chemistry”, due to his recognition that metal oxides were a key ingredient for colouring glass.

Today each glassworks has its own traditions and its own secret recipes for creating a range of colours. So don’t expect exact recipes for specific shades, each glassmaker guards the exact recipes like an eye in the head. What we can reveal to you, however, is the dyeing process. And there are curiosities, such as the use of uranium oxide or the use of cow poop to dye glass.

Process goes like: The natural colour of the glass is greenish. It must be de-coloured. For this, sodium nitrate or manganese dioxide is used. Once the colourless mixture is ready – which is the standard – it is ready to start.

Mix the solids

Although the following description may seem simple, it is definitely not. Painting glass is a precise job, so it is important to measure, prepare and plan everything carefully. The metal oxides used to colour glass are stored in bulk form. These oxides are added directly to the bulk mixture of the glass strain and everything goes into the mixer. The mixture must be absolutely homogeneous, so no expense is spared in mixing.

Put it in the pan

The perfectly homogenous mixture is then loaded into a huge melting pan and melted until it forms the melt that is formed into the crystal products as we know them.

It must be accurate

Each time the colour is mixed in, the shade must be tweaked to match one hundred percent. With the finest glassworks, it is not possible for individual batches of coloured melt with the same name to vary by even half a shade. Therefore, each time the paint is mixed, a “control log” is first created to assess whether the paint is mixed correctly. Because if the paint is not mixed exactly right, the whole 350 kg batch goes to waste and that is a shame.

 

 

 

 

Additional information

Weight 2,5 kg
Dimensions 9 cm

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